Tuesday, 6 August 2013

Body Image, Emotions, and Identity

Body Image, Emotions, and Identity

September 1st, 2011
Contributed by Shirley Katz Leon, PhD, CCC
How do you know what you are, what you are not, and why? Where did you gain this knowledge and experience that influences your current behavior and choices? While in the process of developing your Self, did you consciously stop to think if you wanted to be shaped in a particular manner? Certainly there were moments where you may have wanted to stop an experience or avoid pain, but did those experiences shape who you are today anyway? Are you interested in shaping your experiences through re-authoring your Self? Some people look to the body to try to control their experience of self in the world. Does this have any merit? When does it become a problem?

Developing Self-Worth

You were born into the world with certain genetic traits. The environment you grew up in further shaped the development of your inherent strengths and weaknesses. As you grew, you learned values and concepts of self-worth from family, friends, and culture. You took this outline and began testing it on the world, editing bits and pieces of your Self as the ebb and flow of pleasure, pain and belonging shaped your self-narrative. Messages about self-worth are also based on the parts of your identity that have already been shaped. Sometimes without knowing what influences you, you draw a line around yourself that determines what you want to let in, who you will let closer, and what you want to keep out.
In adolescence, an exceptionally important stage for the development of identity and self-worth, you may have experimented with different ways of being, groups to belong to, and new pleasures and pains in your growing body— some of them dangerous— all in effort to solidify a sense of identity and belonging. Although we do this throughout life, it is with a special intensity in adolescence.

Emotions and Body Image

Ultimately, all of these influencing experiences were informed by messages. What kind of messages? Emotions.  Emotions are messengers that tell us if we are doing something right or wrong, frightening or pleasurable. They may be based on perceptions of need or values, and may be experienced in a range of intensities according to variables such as inborn traits or cultural and family norms. However differently we experience them, emotions are the messengers about the Self and are housed in the body. Sadness can be felt by having a heavy heart or lethargic energy. Fear can be experienced by having a racing heartbeat, heightened sensitivity to sensory information, or pulsating muscles ready to flee, fight or freeze. The body is the narrator of the Self, the text is emotion, and the story is You.
People dealing with challenges to their body image often don’t know how they feel. They have been taught somewhere along the line that their feelings are shameful or unacceptable, or that the needs behind the feelings will not be met. They often cannot differentiate what they are feeling from the feelings of others. This could be because of childhood experiences with frighteningly huge feelings, either their own or others’.  They are often unable to identify and fight for what they need as they don’t listen to the messages. They often don’t have a clear sense of who they are and are preoccupied and vulnerable to external messages about their worth. This can lead to an overly controlling focus on the body, a focus that often goes astray.

Learning to Listen

While the body is a good place to start in knowing and defining the self, it isn’t by controlling the shape of the body that identity and worth are strengthened. Getting to know the self by identifying and expressing the emotions in the body— by respecting the messages— is a much healthier and more effective way. A controlled approach to the body is one that doesn’t listen to messages out of fear or avoidance of pain. Avoidance of emotion is self-rejection and inevitably leads to low self-worth. Your body and the emotions housed within it author your life. What are the messages your emotions are trying to tell you? Have you been ignoring them? If you listen, you may learn more about what kind of experiences you want more or less of, how close or far you want certain people around you, and how you want to be treated. By practicing this listening, you will get better at advocating for your Self and hence feel much better about your own worth. You only have to attend to the story— what you do afterwards is your choice. Will you listen?
© Copyright 2011 by Shirley Katz, PhD, CCC, therapist in Toronto, ON. All Rights Reserved.

Validating Feelings:Helping People Feel Understood

Validating Feelings:Helping People Feel Understood

Validation is a powerful communication skill. Its usage can dismantle power struggles, resolve arguments, and build deeply trusting relationships. Technically, validation is an advanced skill, because it builds upon the more basic skill of "reflective listening". While reflective listening is frequently taught in communication workshops or classes, validation is less well understood, even by many professional marriage counselors.
Validation is called for when reflective listening fails to be enough to help a speaker feel truly understood. Before delving into more about validation, however, a review of reflective listening is in order.

Reflective Listening

The goals of reflective listening are several:
1. To facilitate the expression of someone else's feelings.
2. To enhance a speaker's problem-solving ability by helping them move through "stuck" feelings; and
3. To generate a feeling of warmth and understanding between listener and speaker.
The technique of reflective listening is deceptively simple to describe, and challenging to master. The listener must identify the primary feelings the speaker is having and then reflect back that understanding with an empathetic tone. For example:
Wife: If that neighbor parks in my space again I'm going to let all the air out of his tires!
Husband: Sounds like you're angry that he keeps taking your spot.
Wife: You bet I am. I've told him not to ten times! But I don't want to get him mad at us because I know what a jerk he can be.
Husband: You're afraid of what else he might do.
Reflective listening avoids the many pitfalls listeners tend to fall into: judging, minimizing or discounting feelings, giving advice, or not responding at all. One of the most common pitfalls is trying to help “solve the problem”. Speakers are often just looking for empathy, a chance to vent, and to clarify their own thinking. They may consider it an insult to their intelligence for the listener to offer solutions. And if the solutions posed seem simple, the speaker may feel like her feelings are being judged as being irrational.
Reflective listening is not simply repeating or paraphrasing what a speaker has said. Most speakers don't question your comprehension of their words, but they need to know that you know how they feel.

Reflective Listening Is Not Always Enough

While reflective listening is arguably the single most important communication skill taught, sometimes the technique falls short of its goals. When the feelings expressed are quite strong, or the speaker carries some doubt or shame about their feelings, a neutral reflection by the listener can miss the mark, even if the feeling reflected is accurate and the tone is empathetic. For example:
Worker: I can't believe the secretary hasn't finished my report yet. What the hell is the matter with her?
Co-worker: You're angry that she's not done.
Worker: Angry? Oh no. I'm sure she's got her hands full like all of us. But damn it, I've got to present that report in half an hour!
Co-worker: You are afraid you won't have it in time.
Worker: No. It doesn't matter. I can present the bulk of it without having it in writing. ...Damn!
The worker in this example is embarrassed by his own feelings as they are reflected back to him, and he denies them. He is not convinced by the reflective listening that his anger and fear are understandable. An empathetic tone of voice is not always enough to communicate that someone's feelings are okay. The empathy in the tone, however, can be put into words. This is where the skill of validation comes in.

Validation Defined

Simply put, validation is the message, "Your feelings make sense. Not only do I hear you, but I understand why you feel the way you do. You are not bad or wrong or crazy for feeling the way you do."
This is a message people often need to hear, especially when they are rocked by strong feelings. No one is going to sound authentic, however, parroting these exact words. The art of validation is in tailoring the essence of this message to the specific feeling and situation the speaker is experiencing.

The Need For Validation

To understand why people need to be validated requires us to look at how often our feelings get shamed. As a society we have very few places where feelings are welcomed. We learn that strength means not crying, bravery means not feeling fear, and maturity means never being angry.
Showing strong emotion tends to make the people around you very uncomfortable. Usually, they will attempt to get you to stop as quickly as possible. They may try to convince you that your feelings are inappropriate. Or they may try to reassure you. Even if their intent is to help you feel better, often the message is that it's not okay to feel bad.
Consequently, we have all accumulated many messages that our feelings are wrong. We yearn, therefore, for acceptance of our feelings, especially when our feelings are strong. Whatever else someone may be saying when they vent their feelings, they are probably also implicitly asking, "Are my feelings okay?" Validation answers this indirectly asked question, and provides satisfaction for a profound, though often unconscious, need.

The "Natural" Validation

Validation comes naturally whenever a listener feels the same way as the speaker. If Tom describes his anger at the invasiveness of telephone marketing and Corrine hates telephone marketing too, then all she has to do is express her feelings and Tom will probably feel supported that his feelings are okay.
Often someone needing validation will tell their story over and over again to different people, unconsciously searching for someone who feels the same way they do. Natural validation works well and does not require any specific skills. It is limited, however, to situations where the speaker and the listener feel the same way.

The Skill of Validation

When you do not feel the same way as someone you are listening to does, you can still validate their feelings. Doing so requires that you identify in yourself "sub-feelings" or different parts of yourself. While you may have a primary or dominant feeling about something, you can often have sub-feelings that are quite different.
When a friend moves away, a person might say she feels sad. While sadness may be the largest single feeling she has, she may have sub-feelings as well. She might feel angry at the friend for leaving. She might feel relieved that the friend is finally going to do what he has been talking about for years. Or she might feel afraid that her friend may be making a mistake.
There is a common misconception that we only feel one thing at a time. This error can make it difficult for a person to articulate his feelings. As soon as a person identifies one feeling, he hears a nagging voice inside saying “Oh no you don’t, you feel just the opposite!” Trying to decide on a single feeling with which to represent oneself can result in a confusing inner conflict, causing a person to become tongue tied. By allowing for the existence of sub-feelings, even contradictory ones, we can identify and express a more thorough picture of how we feel.
Identifying sub-feelings can also help us validate someone whose predominant feeling is different than our own. Imagine someone describing to a friend how angry he is at the thief who just held up a store he was in:
"I was so angry I just wanted to follow the guy out and beat him up!"
Imagine that the listening friend, however, identifies how scared she would be in that situation. She can't imagine the desire to pursue the thief. The idea sounds quite stupid to her. She can still validate her friend's feeling, however, by identifying her own sub-feelings.
She might ask herself, "Have I ever felt angry enough to want to fight back against someone?". She may then remember wanting to slug a guy who harassed her with catcalls on the street the other day. Having contacted a similar anger within herself she can then validate her friend by saying something like:
"I can understand being angry enough to want to strike back".
This validation is likely to feel genuine to her friend because she was willing to feel a similar anger inside her-self before she said it. If she had just said, "You are angry about the hold-up," without identifying any sub-feelings of anger within herself, her response would likely seem mechanical and not very validating.
Some readers might fear that validating someone's anger will make them more likely to act it out. Quite the opposite is true. When someone's feelings are validated the urge to act them out actually lessens. The validation helps them let the feeling go and begin thinking more clearly about a wise course of action.
The art of validation, then, requires that you actually feel some aspect of the emotion the speaker is having. Your feeling does not have to be the main response you would have to the situation they describe. It can be a sub-feeling, or it can be a feeling you would have in another situation that has some similar elements. What makes a validation authentic is your willingness to call up and experience a part of yourself that can connect with the emotion being described. When you speak from that willingness, your message that the emotion in question is understandable or okay will be truly validating.

Can All Feelings Be Validated?

There is a logic to every feeling we have. The source of each feeling, however, is partly due to present circumstances and partly due to our past. To varying degrees, all feelings are influenced by both. Events in the present can trigger old feelings that a person may be unconscious of. When someone is not aware that his past feelings have been aroused, he may be especially confused by the intensity of his emotional response. This confusion will lead him to seek validation.
For example, Bob, a young man, may be terrified of asking an acquaintance, Courtney, on a date. This fear may seem unreason-able to Joan, a mutual friend who has often seen Courtney con-spicuously flirting with Bob. Bob may agree that he is stupid to feel so shy. Only when Bob and Joan take into account the painful rejections Bob has experienced in the past does Bob’s present level of fear make sense.
It is hard to figure out, for any given feeling, what percentage of that feeling is due to the present, and what percentage is fueled by the past. Usually the present holds an understandable trigger, and past experiences account for the intensity of a given feeling.
It is usually not helpful for listeners, however, to offer their assessment of the relative influences of past and present. This is too often perceived as a way of implying that the speaker’s level of feeling is inappropriate.
“I think you must feel that way because of something your mother did to you.”
This is likely to generate defensiveness in the speaker. Listeners who try to gauge the influence of the speaker’s past may be accused of acting like an uninvited therapist. Only when the speaker is genuinely interested in facilitated self-exploration of this type can a listener play this role effectively.
Validation, however, is a safe, effective, and less intrusive method of helping the speaker reflect on the source of their feelings. When a listener simply validates that the essence of a feeling could conceivably come from aspects of the present situation, the speaker usually relaxes. He begins to feel that he is not “wrong” to feel the way he does. He may then spontaneously begin to explore how the intensity of his feelings may also be due to past events.
When the listener restricts her comments to validation of the present trigger, she helps create the safe and accepting atmosphere the speaker may need to engage in such spontaneous self-exploration. Usually, this is all that a speaker is asking for.

Beyond Validation

If validation is insufficient in helping a speaker come to acceptance of his feelings, then further counseling techniques may be needed. If the speaker and listener are both willing, then the listener can probe respectfully about the possibility that past events may be adding intensity to present feelings. Examples of this may be:
“Have you had to deal with this kind of thing before?”
“Have you felt like this in other situations?”
“Are there any experiences or needs you have had that make you particularly vulnerable to this feeling?”

Choosing Feelings?

Another roadblock to good validation is the fallacy that we "choose our feelings". Listeners can shame speakers with this misconception.
“So you are choosing to be upset with your husband. I guess that’s your right. How is it working for you?”
This approach may be well-meaning, but it is likely to be poorly received. The power of examining our choices is a valuable tool, but we must be clear about what we have choice over and what we do not.
Our feelings are bodily experiences that we perceive, rather than choose. The only direct choice we have over our feelings is whether to be aware of them or to repress them. Either choice may be appropriate, given the situation. Sometimes it is best to put your feelings aside and focus on a particular task. At other times, knowing how you feel is important so you can make good decisions, or so you can connect meaningfully with others.
There are choices we make, however, that affect our feelingsindirectly. Our feelings spring from our needs, our experiences, and our interpretations of them. How we interpret events affects how we may feel about them. Our interpretations, and the beliefs upon which we base them, are subject to our choice. By changing the way we look at a situation we can change how we feel about it.
Unfortunately, many of the beliefs that underlie our interpretations of events are either not conscious, or resistant to change. The pessimist, for example, is unlikely to simply decide to suddenly believe that “things will all turn out okay”. Many past experiences have formed the basis for his pessimism. Perhaps, for instance, a pessimistic attitude was once an effective way to cope with a series of disappointments.
Changing one’s belief systems, therefore, can be a difficult process. First the underlying belief must be identified. Then, a more functional belief must be proposed, and finally, experiential evidence supporting the new belief must be accumulated. Only then do feelings begin to change.
Hence, it is unrealistic to expect someone to change their beliefs whenever challenged. Listeners who do this may appear callous and uncaring.

Feelings and Needs

Feelings are also a factor of whether a person’s needs are being met or not. Marshall Rosenberg, founder of Non-violent Communication, explains that good feelings are the response we experience when our needs are being met and uncomfortable feelings are the result of our needs going unmet.
Feelings that spring from unmet needs are often difficult to accept, particularly if one does not believe that the needs they have are legitimate. Whether they believe it or not, all people have needs for connection, autonomy, mastery, physical comfort, and meaning. An under-standing of these universal human needs can help people give themselves more permission to have their needs and the feelings generated when those needs go unmet. Such self-acceptance can help a person soothe themselves when they cannot find validation for their feelings from someone else.

Validating Feelings about You

One of the greatest challenges of good communication is validating the feelings someone has about you. When someone has a negative feeling toward us our first impulse is usually defensiveness. It makes sense that we would feel defensive because rarely do we do something with the intention of hurting someone else.

In order to respond to such feedback it is useful to make the distinction between the intention you had and the impact of your actions on someone else. Intent does not always equal impact. Only you know what your intention really was. Only others know what your impact on them really was.
Good communication can be defined as creating the impact that you intend. In order to communicate well, you have to be willing to listen to ways that your impact may have varied from your intent. Such feedback can help you make the proper correct-ions. Often, however, your first impulse may be to defend your-self. Consider the following example:
Customer: Where's my car! I've got to go! It's supposed to be ready by now! It's been an hour!
Tire Salesperson: You have to give us some leeway on our estimated time for a job!
The customer here may feel that the salesperson is invalidating her feelings. If so, she may insist that her anger is justified and an argument may ensue.
Validating someone's feelings about you requires that you temporarily quell your impulse to explain yourself. Internally you may respect your intent and hold yourself blameless. Meanwhile, you focus your attention on what the other person felt and try to find something in your actions that could plausibly set off the feel-ings they describe. For example, our tire salesperson could say:
Tire Salesperson: Our estimate was off. I can see how that would be upsetting if you're in a hurry.
It is helpful to acknowledge what you did or said that sparked someone's feelings toward you. You do not, however, have to hold yourself accountable for the full intensity of their response. Your actions may have simply triggered strong feelings from their past. Pointing this out to someone, however, is likely to make them defensive unless you cop to your own involvement first. If you validate your contribution to their feelings they are often freed to look more closely at their own contribution.
After you have validated someone's feelings about you and allowed some time for those feelings to release, you can explain what your intention was without appearing defensive. Here are a few examples of the difference between defensiveness, reflective listening, and validation:
Example A:
Sister #1: Jackie! You pig! The pie is almost all gone!
Sister #2 (defensive): I didn't eat it all!
Sister #2 (reflective): You're angry about how much pie I ate.
Sister #2 (validating): Oh. I wasn't keeping track of how much I was eating. But if I had more than my share it makes sense that you'd be pissed.
Example B:
Child: This is a drag. You never take us anywhere fun.
Dad (defensive): What do you mean! What about last weekend!
Dad (reflective): You are bored with what we are doing.
Dad (validating): I can see how it might get pretty boring just hanging around here all day.
In both cases the validating response goes beyond the reflective response to include the message that the feelings expressed are understandable. The validating response thus addresses the unconscious question, "Are my feelings okay?" Because the need to be validated is so universal among people, those who gain proficiency at this skill can become very popular indeed.
Copyright: Tim Hartnett, 1997
Revised 2007

Saturday, 27 April 2013

祷告与绘画操练



同学的反馈:
Spiritual Formation Class ~the lecturer asked us to draw something within our heart after worship, prayer n reading scripture. I know my drawing is a bit cacat la. >< But nevertheless it's really an enjoyable time to b quiet down myself. Cz I felt sometimes I too noisy ad, non stop talking. Lol. And It's also a different way to express ourselves to God. I love u, Lord! ♥ 
By Melissa May Yee. Facebook 27.04.2013

好久没有静下来,自由地在纸上挥洒。
(时间把这些闲情都吞噬了 >~< )
- Spiritual Formation Class -
By Kong Yong Yong Facebook 27.4.2013

Friday, 19 April 2013

Brother Lawrence of the Resurrection


Carmelite Authors 101: Brother Lawrence of the Resurrection
LECTURE

February 6, 2010

Presenter: Salvatore Sciurba, O.C.D., translator of The Practice of the Presence of God

This lecture explores the faith story of Carmelite Brother Lawrence of the Resurrection and his work, The Practice of the Presence of God, translated by Fr. Sciurba.

Cosponsored by the Institute of Carmelite Studies, The Church in the 21st Century Center, and the School of Theology and Ministry.




以祷告作为每一天的起点

音频

老牧人 - 施达雄牧师开讲

「上帝啊,求你鉴察我,知道我的心思,试炼我,知道我的意念,看在我裡面有甚麽恶行没有,引导我走永生的道路。」这是大卫向上帝所献上的祷告,这是一种求上帝保守自己不陷入诱惑、试探的祷告,这是求上帝保守自己,使自己的品格能更成熟的祷告,是求上帝保守自己,使自己的脚步能走义路的祷告,是值得我们学习、效法的祷告,老牧人愿意藉此提醒诸位以祷告来作为在每一天的开始,求上帝保守、眷顾、引导你这一天的生活,你必然能活得更充实。

在【颂主新歌】中有一首以『你已否祷告』为名的诗歌,他的歌词给我们很震撼性的提醒!老牧人愿提出来与诸位共勉,也相互提醒,歌词是:「今日你未离开家前,是否已祷告?是否已奉基督圣名,恳求主施慈爱恩情,保护及引导?祷告使疲倦者得安息,使黑夜变为清早,当生活愁苦及孤寂,勿忘记祷告。」(第370首)很值得深思反省的,你我已经有多久未曾好好的向上帝祷告?是否已孤独无力的面对挫折,而忘记求上帝的眷顾、引导?更具体的说,你我是否放弃了祷告的权利与福气呢?老牧人愿再度提醒你:「多祷告就多有能力,少祷告就少有能力,不祷告就没有能力。」你今天祷告了没?

老牧人最近读到一篇祷告文,是作者在一天的开始,在清晨的祷告,老牧人愿意提供你为借镜,祷告的内容是:
「上帝啊!今天一整天您都要帮助我,在人和事都使我烦恼的时候,让我不发脾气。在事情一开始就不顺利的时候,让我不失去耐性。在情况困难的时候,使我不失去希望。在我受引诱快要走错的时候,让我不失去善良和荣誉。您今天如果这样帮助我,我在夜裡睡觉的时候就不至于羞愧。为耶稣基督的缘故,听我的祷告。阿们。」

极为简短的祷告文,却表达了作者如何用祷告来调整自己的脚步、自己的品格,如何用祷告将自己的一天交托给上帝,求祂的引导、保守,这是一个多麽有智慧的祷告啊!

箴言书中劝勉我们说:「你要专心仰赖耶和华,不可倚靠自己的聪明,在你一切所行的事上都要认定他,他必指引你的路。」因此每天清晨你要献上祷告,求上帝陪你去上学,陪你去上班,陪你去面对挫折、诱惑,靠着上帝的帮助,你必然能得胜而有馀。

「以祷告做为每一天的起点」,这是我们所当有的心志,所当有的智慧。老牧人祝福您平安喜乐。

圣经中的祷告


圣经中的祷告 /杨腓力(Philip Yancey)

你知道,是哪一卷书教导了耶稣祷告的功课?你知道,神学大师保罗,同时也是新约裡的祷告大师?你知道,如何向旧约的历史书、大小先知书学习祷告吗?

有好长一段时间,杨腓力都不太知道怎麽祷告,没想到最后竟然是圣经开启了他的祷告眼目……。

——

不是我的牧者、不是我的老师,是我。噢,主啊,需要祷告的是我。学习祷告,像学习讲话、阅读和走路一样,需要花时间,并且要反覆练习。这个过程毫无疑问会伴随着数不清多少次的挫折和难为情。祷告的「规则」像文法一样,其最终目的是要使祷告成为一种自然而然的举动。

你满怀希望地决定开始一个经常祷告的习惯。你在一个早晨抽出时间,找到一本圣经,打算阅读一些经文作为祷告的焦点──神的话岂不是可以帮助我们与神沟通吗?你随意翻开圣经,读了几节经文。不行──这是在数点人口,裡面有一大串的支派;于是你跳到别的地方,翻到一卷冗长的先知书──这麽多外国名字!你粗略地看一看,在几页经文之后看到关于大屠杀和饥荒的描述。你默想的情操顿时消失,随之而来的是激动和困惑。用圣经来学祷告,难道错了吗?

一个不熟悉圣经的人,很可能会觉得圣经裡少有可以增进敬拜和祷告气氛的经文。我们的世界和经文作者的世界相差了几千年的时间,这大大地减少了彼此「情投意合」的机率。除非你能熟悉圣经整体的架构,否则随手翻的方法,并无法为你的祷告带来什麽正面的效果。正因这个缘故,我们最好从专门讨论祷告的经文开始。圣经中大概有六百五十个祷告,有长有短,反映了各种不同的环境和感受。总括来说,它们为想学祷告的人提供了很好的指引。

诗篇──耶稣的祷告书

诗篇为我们提供了怎样祷告的实习课程。加尔文曾经这样写道:「我习惯称此书为《灵魂的解剖学》(An Anatomy of All the Parts o the Soul),因为任何人可能经历到的情绪和感受,没有一样不被这面镜子给反映出来。」人类的每一种情绪和经历,都在诗篇的祷告中表露无遗。

基督教会从很早开始,便在敬拜中採用了这些犹太祷文,一起在祷告中向神吟咏诗篇。耶稣本人也在最后晚餐与门徒一起唱诗;当衪挂在十字架上垂死的时候,也引述了诗篇。
基督徒和犹太人今天仍在使用这本祷告诗篇,在某些地方的回教徒亦然。这些祷文不分国界种族,把全人类的灵魂展露在神面前。加尔文说:「当我们向神祷告,无论需要怎样的启发,这本书都能教导我们。」

诗篇作者有很多作品都是从日常生活中得到启发:观赏星星、山边的羊、家庭问题、战争和战争的谣言、意志消沉或志气高昂。把诗篇一篇一篇地读下去,你会向神抱怨、感谢神的信实、求死、为自然界的华美发出讚叹、祈求得到更好的生命、咒诅敌人。

诗篇为我提供了真诚的语言,帮助我祷告能够更诚实。若不是有诗篇的提示,我不会这样祷告。藉着阅读诗篇并且把诗篇当作我的祷告,我学会如何更人性化地祷告。当我读到愤怒和想报复的诗篇,我也需要面对自己同样的倾向。诗篇把久已埋藏的反感和创伤显露出来。神欢迎,甚至鼓励我在祷告中面对我的黑暗面,令我如释重负。我可以把我的秘密交给神。
我也从诗篇中学会,如何使用我跟老闆、朋友、妻子交谈的方式,来跟神交谈。简言之,就是把神当作人一般地与衪对话。以前我会认为祷告是一种责任,不是个可以随意表达自己感受的地方。诗篇把我从这种想法中释放出来,让我进入更深的领域。

很多人也发现,用自己的话来重写诗篇,是件非常有收穫的事情。他们站在诗篇的基础上,诉说自己的感谢、苦恼和恳求。毕德生(Eugene Peterson)曾用现代的语言重写几篇诗篇,发表在杂志上,结果读者的热烈反应,鼓励了他把整本圣经改写(也就是《信息版圣经》)。对他来说,诗篇确实回答了我们应该怎样祷告的问题。诗篇是由一群充满热情,但也具有人性软弱的人所写成的,他们把神视为他们生活的中心,他们的文字,涵括了全人类的经历:
秘诀在此:把我们的圣经翻到诗篇,用诗篇来祷告──按着次序、规律且忠心地在你的生命中,以此来祷告。许多世纪以来,有数不清的基督徒,都是利用这个方法,而在祷告上有所成长。没有什麽技巧。这样做就对了。

保罗──祷告的大师

保罗的所有书信,除了提多书外,最少都包含了一个祷告。保罗为帖撒罗尼加人祈求更多的爱,为哥林多人祈求更成熟的行为,在他的读者学习抵挡邪恶之际,为他们祈求力量、顺服和合一的心。保罗为腓立比人的祈求,总结了他的愿望:「那在你们心裡动了善工的、必成全这工、直到耶稣基督的日子」。(腓一6)

我发现,仔细思量这些祷告,也是一个很有用的操练,因为它们帮助我超越了以自己为中心的祈求。保罗扩展了我的视野。大马色路上的经历,在一刹那间使保罗确信耶稣基督是宇宙的中心,我们应该与基督在地上的力量联合。保罗告诉以弗所人,我们是与「管辖这幽暗世界的,以及天空属灵气的恶魔争战」。(弗六12)他的祷告反映出他真的相信这一点。
保罗的祷告往往以感恩开始,为他读者的长进献上感谢。这样的祷告显示保罗关心,而且是真的关心他们的信心有没有长进。我读保罗的书信,最大的感觉就是,他关心别人比关心自己还多。我对我朋友和家人的属灵景况,有没有同样的热情呢?与保罗的祷告相比,我常在教会聚会中所听到的祷告(包括了我自己的祷告在内)就显得多麽不成熟。这些祷告往往环绕着自己的身体健康和经济方面的好处。

然而,保罗也会为实际的事情祷告,为有病的朋友、旅行计画、勇气和安全祈求。有时候在一段複杂的神学讨论过后,保罗的思路会自动地转向祷告。保罗的思路从不远离神。每当有好的事情发生,他便会想到感恩和讚美。他藉着把功劳归给神,不归功自己,实践与神同在的操练。

保罗的祷告,像诗篇一样,为我自己的祷告提供了一个模式。我可以把一个心怀疑惑的大学生名字,加插进保罗为以弗所人一连串的祷告中。保罗会在祷告中为他所喜爱的教会感到欣慰,也会在祷告中,向那些走错路的信徒,发出严厉的警告,种种这些都可以让我用来检视我自己。我的爱心有没有如保罗在为腓立比人祷告时所说的一样,在知识和各样见识上多而又多呢?我有没有像保罗在为哥林多人祷告时所求的那样,会去安慰那些在患难中的人呢?
我从保罗的祷告学会不把自己放在首位;我开始先从宇宙的观点考量,然后再从这个角度看待我的朋友、家人、我的生命、教会、还有整个人类历史。

圣经中其他的祷告

在编纂《学生版圣经》(The Student Bible)的时候,我和我的同事从圣经中选了些伟大的祷告,每天如果读一个,两星期内可以把我们所选的这几个祷告读完一遍。这些祷告,有的是私底下个人的祷告,有的则是在公开场合中所做的祷告。每一个祷告都关乎一个重要的主题,我们可以从中学习与神交谈的艺术,并且更深明白祷告这门独特的功课:

创世记十八章:亚伯拉罕为所多玛祈求
出埃及记十五章:摩西献给主之歌
出埃及记三十三章:摩西与神会面
撒母耳记下七章:大卫对神应许的反应
列王记上八章:所罗门献圣殿
历代志下二十章:约沙法祈求得胜
以斯拉记九章:以斯拉为百姓的罪祷告
诗篇二十二篇:向神呼求帮助
诗篇一百○四篇:讚美的祷告
但以理书九章:但以理为耶路撒冷的拯救祈求
哈巴谷书三章:先知接受神旨意的祷告
马太福音六章:主祷文
约翰福音十七章:耶稣为门徒祷告
歌罗西书一章:保罗的感恩祷告

除了教导我们祷告的「语法」外,研读圣经也让我们瞥见神在整个历史中的行动。这会让我不再以我自己的生命为中心。我将学会更有智慧地观看整个画面,把我自己的小故事放在神的故事裡。我认识到,自己并非惟一一个与神摔角,或是忍受旷野经历与试探的人。我还学会怎样爱慕神,这对我来说,特别不容易。祷告若基于圣经,还可以帮助我辨认出神的声音。

有些人建议,除了阅读圣经中的祷告外,应该更进一步,把它们背起来,让我们可以随时想起来。蕊恩斯把这个过程称为「储存」圣经的话语,「让圣灵对你讲话的时候,有更多的辞彙;让你的公佈栏上有更多的磁铁。」有一位朋友利用每天坐地铁到护校的时间,把合适的诗篇背下。她发现这些经文帮助她减轻因重大工作压力而来的焦虑。对于背诵经文,派特森也有他的看法:

保罗的祷告特别适合背诵。举例说,他为以弗所人祈求神「照明你们心中的眼睛,使你们知道祂的恩召有何等指望。祂在圣徒中得的基业有何等丰盛的荣耀」,又「叫神一切所充满的,充满了你们」。靠背诵祷文来成就灵命追求这般重要的事情,似乎是不自然、矫揉造作的做法,不过我们可以想一想拉比赫歇尔的例子。当有人在他的犹太会堂抱怨,他们所使用的祈祷文,并不能表达他们真正的感受时,赫歇尔告诉他们,祈祷文并不需要表达他们的感受,反而是他们,应该努力学习感受祈祷文所表达出来的内容。如果我们忠心地加以背诵,这些以出色的话语表达的伟大思想,就可以帮助我们办到赫歇尔所说的境界……背诵经文与我们追求神的关係,就正如练习乐器与演出间的关係,这是灵魂的发音练习。

(本文摘自校园书房出版社新书《祷告》第十三章)